This biannual learning unit is not being organized in 2020-2021 !
At the end of this learning unit, the student is able to :
Application of analytical methods concerning pictures produced by new media like photography, film, video and digital images.
The class will adapt a comparative and interdisciplinary approach, in order to analyze how the encounter of photography and film takes place across different media such as photography, cinema, the photographic novel, and video.
Theoretical approaches from different disciplines (art history, film studies, photography theory, visual studies) will be used to understand aesthetic practices and concepts such as montage, panorama, tableau vivant and sequentiality.
Due to the COVID-19 crisis, the information in this section is particularly likely to change.Lectures by the course tacher and by guest speakers, personal reading by students.
Due to the COVID-19 crisis, the information in this section is particularly likely to change.Written examination.
David Green, Joanna Lowry (eds.), Stillness and Time. Photography and the Moving Image, Photoworks (Brighton), 2006.
Victor Burgin, The Remembered Film, London (Reaktion Books), 2004.