Aims
Introduction to the analysis of the cinematographic image.
Main themes
The theatre has left a permanent mark on the cinema: in areas such as frontality, text, actors, scenery and lighting. So, in a more subtle way, has music, in areas such as structure, rhythm, sound editing and sound mixing. The theme chosen for this course is the screen, the stage and music - relations between cinema fiction and theatrical and musical representation.
Content and teaching methods
Content: This course is designed as an introduction to the analysis of the cinematographic image, via its relation to music and theatre. Following an initial session involving a number of analyses of shots and sequences, the course looks at various art forms in which the various modes of representation concerned are brought together: musicals, melodramas, opera films, filmed ballets, animated films and even music videos. The following aspects will be particularly investigated: composition and camera movements, light, the organisation of space, acting, body movements, use of voices, cutting and editing, special effects during shooting or in post-production.
Method: Teacher-led course and student presentations. Presentation and projection of film extracts. Commentary on and analysis of sequences.
Other information (prerequisite, evaluation (assessment methods), course materials recommended readings, ...)
A 20-minute presentation by each student.
Other credits in programs
THEA22
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Deuxième licence en arts du spectacle
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(3.5 credits)
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Mandatory
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