Due to the COVID-19 crisis, the information below is subject to change,
in particular that concerning the teaching mode (presential, distance or in a comodal or hybrid format).
8 credits
90.0 h
Q1
This biannual learning unit is being organized in 2020-2021
Teacher(s)
Cottin Stefanelli Laure; Nottebaert Anne; Pouillon Henry; Yuen Yeung Fun;
Language
French
Main themes
This unit, taught by joint lecturers, explores the interactions between the arts and architecture. Architecture as art.
A series of theoretical lectures will look at the mutual relationships between the arts and architecture: how do paradigms (convergences of thought, accepted and internalised rules) pass through communities of artists and architects in a given period?
In parallel, students will test a contemporary artistic approach by asking questions and formulating a suggested response using the techniques and methods of action involved. This will make them reflect on architecture.
The objective is to create a space of relative freedom to open up possibilities at the conceptual level. And to enable students to understand artistic practice to find the drivers for a meaningful design.
The opportunities to link this issue to academic research particularly relate to the ability to deploy sensitivity (as a means of analysis and communication) to transmit meaning to the public arena. And, in this way, to look at architecture as an aesthetic act.
Using a contemporary issue, to take part in conceptual experimentation and to reintegrate it within the discipline.
Issues in Architecture: Contemporary Art and Architectureis made up of two parts, A and B.
A : XPRMTL. Experimental Architecture
How artists and architects work together through emerging ways of designing form which prefigure the ways of living in the future. How this enables their disciplines to revive?
(B : "Grasping reality", "another way of looking". Analysis and observation of reality. Ways of working in art and architecture.)
A series of theoretical lectures will look at the mutual relationships between the arts and architecture: how do paradigms (convergences of thought, accepted and internalised rules) pass through communities of artists and architects in a given period?
In parallel, students will test a contemporary artistic approach by asking questions and formulating a suggested response using the techniques and methods of action involved. This will make them reflect on architecture.
The objective is to create a space of relative freedom to open up possibilities at the conceptual level. And to enable students to understand artistic practice to find the drivers for a meaningful design.
The opportunities to link this issue to academic research particularly relate to the ability to deploy sensitivity (as a means of analysis and communication) to transmit meaning to the public arena. And, in this way, to look at architecture as an aesthetic act.
Using a contemporary issue, to take part in conceptual experimentation and to reintegrate it within the discipline.
Issues in Architecture: Contemporary Art and Architectureis made up of two parts, A and B.
A : XPRMTL. Experimental Architecture
How artists and architects work together through emerging ways of designing form which prefigure the ways of living in the future. How this enables their disciplines to revive?
(B : "Grasping reality", "another way of looking". Analysis and observation of reality. Ways of working in art and architecture.)
Aims
At the end of this learning unit, the student is able to : | |
| 1 | The specific learning outcomes contribute to the learning outcomes reference network: Test an artistic approach
Make use of other subjects
|
Bibliography
Bibliographie Générale Art Architecture
SZEEMANN Harald, dans coll. Les grands entretiens d'Artpress, n°1, Imec, Paris, 2012
HEINICH Nathalie, Le paradigme de l'art contemporain. Structures d'une révolution artistique, dans coll. Bibliothèque des sciences humaines, NRF, Gallimard, s.l.2014
BOUCHIER Martine, L'art n'est pas l'architecture. Hiérarchie, fusion, destruction, Archibooks + sautereau éditeur, Paris, 2006
ARDENNE Paul, Artistes et architecture, dimensions variable, Artpress 429, p34, 2015
RANCIERE Jacques, Le partage du sensible, esthétique et politique, La fabrique éditions, Paris, 2000
BRYS-SCHATAN Gita (sous la dir. de), Le Répertoire Illustré de l'Art Environnemental, Iselp, Bruxelles, 1996
Bibliographie "Fiction perspective"
SZEEMANN Harald, dans coll. Les grands entretiens d'Artpress, n°1, Imec, Paris, 2012
HEINICH Nathalie, Le paradigme de l'art contemporain. Structures d'une révolution artistique, dans coll. Bibliothèque des sciences humaines, NRF, Gallimard, s.l.2014
BOUCHIER Martine, L'art n'est pas l'architecture. Hiérarchie, fusion, destruction, Archibooks + sautereau éditeur, Paris, 2006
ARDENNE Paul, Artistes et architecture, dimensions variable, Artpress 429, p34, 2015
RANCIERE Jacques, Le partage du sensible, esthétique et politique, La fabrique éditions, Paris, 2000
BRYS-SCHATAN Gita (sous la dir. de), Le Répertoire Illustré de l'Art Environnemental, Iselp, Bruxelles, 1996
Bibliographie "Fiction perspective"
GRAHAM Dan, Ma position. Ecrits sur mes oeuvres, Les presses du réel, 1992. (en cours de réédition avec le volume Rock my religion)
PHAY Soko, Les vertiges du miroir dans l'art contemporain, Les presses du réel, 2016
VAN GERREWEY Christophe, Choisir l'architecture. Critique, histoire et théorie depuis le XIXe siècle, Presses Polytechniques Romandes, 2019
WALL Jeff, Essais et entretiens 1984-2001, col écrits d'artistes, Ecole Nationale Supérieure des Beaux- Arts, 2004
Teaching materials
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Faculty or entity
LOCI
