Film |
|
Number |
1 |
|||||
Code |
11 |
|||||||
Length |
2’09’’ |
|||||||
Emotion |
Amusement |
|||||||
Scene description |
“Jacquouille” (Christian Clavier) and Godfroid (Jean Reno) destroy the postman’s car.
|
|||||||
First scene |
Jacquouille emerges from the wood onto a road.
|
|||||||
Last scene |
Messire Godfroid prays and looks at a horse in the field.
|
|||||||
Film |
|
Number |
2 |
|||||
Code |
12 |
|||||||
Length |
1’55’’ |
|||||||
Emotion |
Anger |
|||||||
Scene description |
After he woke up in the morning, the commander of the concentration camp goes to a balcony and shoots randomly at the camp’s prisoners with a riffle.
|
|||||||
First scene |
A soldier picks the prisoners chosen to work in the factory.
|
|||||||
Last scene |
The commander stops shooting and uses his rifle to stretch his arms behind him.
|
|||||||
Film |
|
Number |
3 |
|||||
Code |
13 |
|||||||
Length |
4’14’’ |
|||||||
Emotion |
Sadness |
|||||||
Scene description |
Todd (Ethan Hawke) commits suicide.
|
|||||||
First scene |
Todd puts a wreath of branches on his head (close-up on his hand).
|
|||||||
Last scene |
The parents find their son’s body, and the mother shouts “my God”.
|
|||||||
Film |
|
Number |
4 |
|||||
Code |
14 |
|||||||
Length |
2’10’’ |
|||||||
Emotion |
Tenderness |
|||||||
Scene description |
George, a mildly mentally retarded man, and Harry are in Harry’s car. On a crossroads, they step out. Harry puts a piece of paper in George’s hand, then step in the car and goes away, abandoning George. George stands alone in the rain, holding the paper in his hand, and starts to cry. Remorseful, Harry stops his car and drives back to where he left George. In the last scene, they are hugging under the rain.
|
|||||||
First scene |
George (Pascal Duquenne) and Harry (Daniel Auteuil) are in the car, a song of Louis Mariano begins. The car starts.
|
|||||||
Last scene |
They are hugging under the rain.
|
|||||||
Film |
|
Number |
5 |
|||||
Code |
15 |
|||||||
Length |
1’ 17’’ |
|||||||
Emotion |
Anger |
|||||||
Scene description |
A neo-nazi (played by Edward Norton) kills an afro-american man smashing his head on the curb.
|
|||||||
First scene |
The young brother (Edward Furlong) is close to the window, he asks himself: “what would it happen if I had gone to the room to let him know?”
|
|||||||
Last scene |
The killer spits on the face of the dead body.
|
|||||||
Film |
|
Number |
7 |
|||||
Code |
17 |
|||||||
Length |
1’ 43’’ |
|||||||
Emotion |
Fear |
|||||||
Scene description |
Crime linked to the sin of sloth. A man apparently dead is discovered lying on a bed, his hands tied. He is extremely skinny, and has been savagely tortured. The word “Sloth” has been written on the walls, and in the room they find pictures depicting different stages of the victim’s progressive demise. Unexpectedly, the man wakes up.
|
|||||||
First scene |
A riot gun and a lamp are pointing on a blanket.
|
|||||||
Last scene |
The ambulance unloads a stretcher.
|
|||||||
Film |
|
Number |
8 |
|||||
Code |
18 |
|||||||
Length |
2’24’’ |
|||||||
Emotion |
Amusement |
|||||||
Scene description |
Didier (Didier Bourdon), dressed up as “Rachid”, participates in the TV game “the millionaire”.
|
|||||||
First scene |
The presenter introduces the new candidate: Rachid.
|
|||||||
Last scene |
Didier wants to re-start the game but the presenter turns him down.
|
|||||||
Film |
|
Number |
9 |
|||||
Code |
19 |
|||||||
Length |
4’35’’ |
|||||||
Emotion |
Sadness |
|||||||
Scene description |
E.T. is going to die, surrounded by scientists.
|
|||||||
First scene |
Elliott’s brother (Henry Thomas) talks to a man with a white coat.
|
|||||||
Last scene |
Elliott holds out ET’s hand.
|
|||||||
Film |
|
Number |
10 |
|||||
Code |
110 |
|||||||
Length |
1’37’’ |
|||||||
Emotion |
Disgust |
|||||||
Scene description |
In an apartment, several persons are sleeping. Then, a women screams. “Sick Boy” (played by Johnny Lee Miller) tries to calm her down. In the meantime, the others wake up. They eventually find out that the woman’s newborn baby is dead. After a long silence, Sick boy asks Mark (Ewan McGregor) to say something. Mark then says he will make a “fix”.
|
|||||||
First scene |
A corridor with two blue lights, two doors with a yellow light, a woman yells.
|
|||||||
Last scene |
Mark (Ewan McGregor) comes says he is going to make a “fix”.
|
|||||||
Film |
|
Number |
11 |
|||||
Code |
21 |
|||||||
Length |
1’17’’ |
|||||||
Emotion |
Anger |
|||||||
Scene description |
Ben (Benoît Poelvoorde) is a hitman who is being followed by a TV crew trying to make a documentary about him. They enter the house of an old lady – one of the hitman’s to-be-victims - telling her that they want to interview her at the TV. In the living room, while she is answering to Ben’s first question, Ben pulls out his gun yelling at the old lady. She has a heart failure and collapses. Then, Ben starts to clean up the mess while smiling. |
|||||||
First scene |
Ben is chatting with Rémy (Rémy Belvaux); the woman opens the door.
|
|||||||
Last scene |
The woman lies down. Ben cleans up the mess and smiles.
|
|||||||
Film |
|
Number |
12 |
|||||
Code |
22 |
|||||||
Length |
1’40’ |
|||||||
Emotion |
Amusement |
|||||||
Scene description |
In a complex scene, Pierre (Thierry Lhermitte) realizes that François (Jacques Villeret) got rid of Christine (Alexandra Vandernoot) instead of Marlene (Catherine Frot).
|
|||||||
First scene |
Leblanc (Francis Huster) asks Pierre: “Isn’t he dumb?”
|
|||||||
Last scene |
Leblanc comes back to the room and leaves again afterwards laughing.
|
|||||||
Film |
|
Number |
13 |
|||||
Code |
23 |
|||||||
Length |
2’41’’ |
|||||||
Emotion |
Sadness |
|||||||
Scene description |
Marie (Natacha Régnier) commits suicide by jumping out of the window.
|
|||||||
First scene |
Isa (Elodie Bouchez) crosses a room before entering the bedroom where Marie lies on the bed.
|
|||||||
Last scene |
Isa looks through the window and sees the dead body of Marie; she leaves.
|
|||||||
Film |
|
Number |
14 |
|||||
Code |
24 |
|||||||
Length |
2’45’’ |
|||||||
Emotion |
Amusement |
|||||||
Scene description |
In a very well-known scene, Sally (Meg Ryan) fakes an orgasm in the restaurant, provoking Harry’s (Billy Cristal) embarrassment.
|
|||||||
First scene |
The waiter brings the dishes to Sally and Harry’s table.
|
|||||||
Last scene |
A woman sitting at another table orders “the same thing”.
|
|||||||
Film |
|
Number |
15 |
|||||
Code |
25 |
|||||||
Length |
2’01’’ |
|||||||
Emotion |
Tenderness |
|||||||
Scene description |
The child is introduced to Forrest. The boy goes to sit down in front of the television. Jenny – the mother – tells Forrest that this is his son. Forrest sits down close to the boy. Very moved, Jenny watches the father and the son sitting close to each other. |
|||||||
First scene |
The child is introduced to Forrest.
|
|||||||
Last scene |
Father and son watch TV together.
|
|||||||
Film |
|
Number |
16 |
|||||
Code |
26 |
|||||||
Length |
6’33’’ |
|||||||
Emotion |
Fear |
|||||||
Scene description |
A girl answers to the phone. She is asked what her preferred horror movie is. Progressively, she finds out that the person she is speaking to knows her, and has a serious intention to kill her. Afterwards, she sees her boyfriend being killed by this person. Eventually, the killer, wearing a black coat and a grotesque mask, gets into the house and chases her with a knife. At the end, he manages to kill her.
|
|||||||
First scene |
The girl talks to the killer on the telephone; she looks through the window but doesn’t see anyone.
|
|||||||
Last scene |
The killer stabs her in the heart; she falls to the floor. (For a better fear and anxiety discreteness, it is advised to cut the scene just before she is stabbed).
|
|||||||
Film |
|
Number |
17 |
|||||
Code |
27 |
|||||||
Length |
1’02’’ |
|||||||
Emotion |
Disgust |
|||||||
Scene description |
After a drunken night, Spud (Ewen Bremmer) wakes up in his girlfriend’s bed, and realizes that the sheets are dirty with his excrements. In the following scene, he tries to hide this from the gilfriend’s mother, who wants to take the sheets for the laundry. In the confusion, the mother pulls the sheets away from Spud’s hands, and accidentally splashes the whole family with excrements.
|
|||||||
First scene |
Spud goes into the kitchen. (For a longer version, start when Spud wakes up)
|
|||||||
Last scene |
The family, spotted with excrement, look at Spud.
|
|||||||
Film |
|
Number |
18 |
|||||
Code |
28 |
|||||||
Length |
2’44’’ |
|||||||
Emotion |
Tenderness |
|||||||
Scene description |
Léon (Jean Reno) plans the escape of Mathilda (Nathalie Portman). He puts her in the ventilation circuit. She doesn’t want to leave Leon. He promises that they are going to reunite later. They say goodbye to each other, and Mathilda understands that she is never going to see Leon again.
|
|||||||
First scene |
He takes a pistol from on top of the fireplace and fires at the screws of the ventilation grid.
|
|||||||
Last scene |
He is lying on the ground and looks up, after several explosions.
|
|||||||
Film |
|
Number |
19 |
|||||
Code |
29 |
|||||||
Length |
1’18’’ |
|||||||
Emotion |
Sadness |
|||||||
Scene description |
In a concentration camp, thousands of dead bodies are being carried and piled by other prisoners. Suddenly, Schindler (Liam Neeson) sees a dead little girl wearing a red jacket (the whole film but this read jacket is in black and white).
|
|||||||
First scene |
The image of a grave; an officer jumps into the grave and beats a prisoner.
|
|||||||
Last scene |
Schindler holds his handkerchief to his mouth.
|
|||||||
Film |
|
Number |
21 |
|||||
Code |
31 |
|||||||
Length |
6’40’’ |
|||||||
Emotion |
Sadness |
|||||||
Scene description |
Execution of Matthew by injection (Sean Penn): He is tied on the execution table, and the scene shows the lethal substance being progressively injected in his veins.
|
|||||||
First scene |
The executioners tie the prisoner Matthew onto the execution table. A longer version can start from the moment he is pulled out of his cell.
|
|||||||
Last scene |
Scene of Sean Penn lying on the execution table, with the arms positioned as a cross.
|
|||||||
Film |
|
Number |
22 |
|||||
Code |
32 |
|||||||
Length |
3’29’’ |
|||||||
Emotion |
Disgust |
|||||||
Scene description |
Extraction of a butterfly’s larva from a dead body’s mouth.
|
|||||||
First scene |
The pathologist holds a recipient close to Clarice’s (Jodie Foster) nose, to prevent her from fainting. The bag with the body is opened, and the wounds are examined.
|
|||||||
Last scene |
The body is turned over on the table, so that the back can be examined. They then realize that the back is mutilated.
|
|||||||
Film |
|
Number |
23 |
|||||
Code |
33 |
|||||||
Length |
2’53’’ |
|||||||
Emotion |
Amusement |
|||||||
Scene description |
Archie (John Cleese) gets undressed, waiting for his girlfriend. Unexpectedly, the owners of the house get into the house and discover him naked.
|
|||||||
First scene |
He breaks a glass against the fireplace.
|
|||||||
Last scene |
After talking with the mother of the family, he says: “what a coincidence”.
|
|||||||
Film |
|
Number |
24 |
|||||
Code |
34 |
|||||||
Length |
1’41’’ |
|||||||
Emotion |
Fear |
|||||||
Scene description |
After cleaning the linen, the priest and his assistant approach the bed where the possessed girl lies. She is laughing, and the air in the bedroom is extremely cold. The priest unsuccessfully tries to chase the daemon with prayers. The house shakes and the furniture collapses. Then, the girl’s head turns around her neck at 360°. At the end, her eyes turn white.
|
|||||||
First scene |
The priest Merrin (Max von Sydow) cleans the linen in the sink.
|
|||||||
Last scene |
The eyes of the girl become white.
|
|||||||
Film |
|
Number |
25 |
|||||
Code |
35 |
|||||||
Length |
2’20’’ |
|||||||
Emotion |
Anger |
|||||||
Scene description |
The guardian brings the children to the cave, so that he can sexually abuse them.
|
|||||||
First scene |
The guardian (Kevin Bacon) walks down a corridor and says, “I find it difficult to understand you”.
|
|||||||
Last scene |
One of the children is sitting on a window ledge looking outside.
|
|||||||
Film |
|
Number |
26 |
|||||
Code |
36 |
|||||||
Length |
1’39’’ |
|||||||
Emotion |
Tenderness |
|||||||
Scene description |
Alice (Meg Ryan) promises Michael (Andy Garcia) to never acting impulsively again, and she promises to stop drinking.
|
|||||||
First scene |
They are in the swimming pool.
|
|||||||
Last scene |
They kiss each other and she says: “I promise”
|
|||||||
Film |
|
Number |
27 |
|||||
Code |
37 |
|||||||
Length |
5’22’’ |
|||||||
Emotion |
Disgust |
|||||||
Scene description |
Beginning of the movie. In Omaha Beach, American troops landing in June 1944. A heavy fighting unfolds, where several soldiers are killed amid several horrible scenes.
|
|||||||
First scene |
Omaha beach, some seconds before the beach landing, June 6 1944. Soldiers are in the landing craft, preparing to land on the French beaches under enemy fire.
|
|||||||
Last scene |
The captain Miller (Tom Hanks) puts his helmet back over his head, after witnessing the slaughter of several soldiers.
|
|||||||
Film |
|
Number |
28 |
|||||
Code |
38 |
|||||||
Length |
4’15’’ |
|||||||
Emotion |
Fear |
|||||||
Scene description |
Jack (Jack Nicholson) pursues his wife with an axe.
|
|||||||
First scene |
The child, with a knife in his hand, repeats, “Redrum” before writing it on the door. The mother wakes up and realizes that “redrum” is “murder” reversed.
|
|||||||
Last scene |
Jack puts his hand through the whole he just made in the bathroom’s door. His wife hits him with a knife. |
|||||||
Film |
|
Number |
30 |
|||||
Code |
310 |
|||||||
Length |
3’30’’ |
|||||||
Emotion |
Anger |
|||||||
Scene description |
Violent interrogation of Gerry (Daniel Day-Lewis), when the interrogators threaten to murder his father. He eventually signs a confession forged by the interrogators.
|
|||||||
First scene |
An inspector looks through a keyhole.
|
|||||||
Last scene |
Gerry’s friend tries to hang on a door, asking to be forgiven. He eventually releases the doors handle.
|
|||||||
Film |
|
Number |
31 |
|||||
Code |
41 |
|||||||
Length |
1’53’’ |
|||||||
Emotion |
Disgust |
|||||||
Scene description |
Indiana Jones (Harrison Ford) escapes from a catacomb full of rats, in Venice, under a library.
|
|||||||
First scene |
He knocks down a wall with his shoulder.
|
|||||||
Last scene |
Action shot involving a torch bracket.
|
|||||||
Film |
|
Number |
32 |
|||||
Code |
42 |
|||||||
Length |
2’23’’ |
|||||||
Emotion |
Fear |
|||||||
Scene description |
Monahan (Holly Hunter) goes to the toilets to looks for the murderer; she gets caught.
|
|||||||
First scene |
She walks down the corridor, talking into a walkie-talkie.
|
|||||||
Last scene |
She is dead, 2 bullets in her body.
|
|||||||
Film |
|
Number |
33 |
|||||
Code |
43 |
|||||||
Length |
3’35’’ |
|||||||
Emotion |
Tenderness |
|||||||
Scene description |
Molly (Demi Moore) and Sam (Patrick Swayze) make pottery together, in a very romantic scene.
|
|||||||
First scene |
The juke-box is turned on.
|
|||||||
Last scene |
The juke-box is turned off.
|
|||||||
Film |
|
Number |
34 |
|||||
Code |
44 |
|||||||
Length |
2’26’’ |
|||||||
Emotion |
Amusement |
|||||||
Scene description |
Mary (Cameron Diaz) takes sperm from Ted’s ear (Ben Stiller) mistaking it for hair gel.
|
|||||||
First scene |
The end of a bra advertsiment.
|
|||||||
Last scene |
They talk at the cash register. Mary has her hair shaped into a peak.
|
|||||||
Film |
|
Number |
35 |
|||||
Code |
45 |
|||||||
Length |
1’44’’ |
|||||||
Emotion |
Disgust |
|||||||
Scene description |
Mark (Ewan McGregor) is a drug addict who has not taken heroin from a while and is suffering from withdrawal symptoms. As a consequence, he suffers from a violent diarrhoea. He is then obliged to go to an extremely dirty public restroom. After defecating, he remembers that he had just hidden a newly purchased heroin pill in his anus. He is then forced to search deep through his excrements for the pill.
|
|||||||
First scene |
Mark goes to the toilets “dreaming about huge bogs…”
|
|||||||
Last scene |
He dives into the bowl and starts swimming.
|
|||||||
Film |
|
Number |
36 |
|||||
Code |
46 |
|||||||
Length |
4’15’’ |
|||||||
Emotion |
Sadness |
|||||||
Scene description |
Maggie (Meg Ryan) dies in Seth’s (Nicolas Cage) arms.
|
|||||||
First scene |
Close-up of Maggie’s face, she is riding a bike.
|
|||||||
Last scene |
Raindrops fall on a tree.
|
|||||||
Film |
|
Number |
38 |
|||||
Code |
48 |
|||||||
Length |
2’13’’ |
|||||||
Emotion |
Fear |
|||||||
Scene description |
A clown hidden in the sewer attracts a boy.
|
|||||||
First scene |
The child drops a toy in the sewer. He looks into the sewer, and he sees the head of a clown.
|
|||||||
Last scene |
The boy is screaming and there is a close-up of the clown’s sharp teeth.
|
|||||||
Film |
|
Number |
39 |
|||||
Code |
49 |
|||||||
Length |
43’’ |
|||||||
Emotion |
Anger |
|||||||
Scene description |
Stewart (Sam Neil) cuts off Ada’s hand (Holly Hunter) with an axe.
|
|||||||
First scene |
Stewart takes Ada out of the room.
|
|||||||
Last scene |
Close-up on Ada’s head, after her hand has been cut off.
|
|||||||
Film |
|
Number |
41 |
|||||
Code |
51 |
|||||||
Length |
5’39’’ |
|||||||
Emotion |
Anger |
|||||||
Scene description |
Stan (Gary Oldman) and his team kill Mathilda’s (Nathalie Portman) family.
|
|||||||
First scene |
A man with a shaved head walks through the glass door in the hallway, and Stan swallows a green pill. The, Stan’s team break into the apartment.
|
|||||||
Last scene |
Stan finishes off Mathilda’s father while he is trying to get out of the apartment.
|
|||||||
Film |
|
Number |
42 |
|||||
Code |
42 |
|||||||
Length |
1’47’’ |
|||||||
Emotion |
Amusement |
|||||||
Scene description |
Lunch to celebrate father’s birthday.
|
|||||||
First scene |
Bernard (Bernard Campan) and his wife arrive late.
|
|||||||
Last scene |
Didier (Didier Bourdon), while joking, serves a glass of “Ricard” to Bernard.
|
|||||||
Film |
|
Number |
43 |
|||||
Code |
53 |
|||||||
Length |
4’27’’ |
|||||||
Emotion |
Sadness |
|||||||
Scene description |
Butch (Kevin Costner) is gunned down, at the end of the movie.
|
|||||||
First scene |
The child joins Butch in the meadow. They huddle together.
|
|||||||
Last scene |
Close-up on the Sheriff.
|
|||||||
Film |
|
Number |
44 |
|||||
Code |
54 |
|||||||
Length |
1’45’’ |
|||||||
Emotion |
Tenderness |
|||||||
Scene description |
In a prisoner’s camp, a father (Roberto Benigni) and a boy talk to the mother using a loud speaker, reaching the whole camp.
|
|||||||
First scene |
The father, surrounded by other prisoners, brings his son hidden in a wheelbarrow.
|
|||||||
Last scene |
The mother interrupts her work, stands up and smiles.
|
|||||||
Film |
|
Number |
45 |
|||||
Code |
55 |
|||||||
Length |
40’’ |
|||||||
Emotion |
Neutral |
|||||||
Scene description |
A man clears out the drawers of his desk; a woman arrives walking in an alley. She greets another woman and continues walking.
|
|||||||
First scene |
The man stands up in front of his desk reading documents.
|
|||||||
Last scene |
The woman walks towards the noise of a motorcycle.
|
|||||||
Film |
|
Number |
46 |
|||||
Code |
56 |
|||||||
Length |
1’05’’ |
|||||||
Emotion |
Fear |
|||||||
Scene description |
Chucky beats Andy’s teacher with a ruler.
|
|||||||
First scene |
Chucky is locked on a closet and knocks violently at the door while screaming. The teacher opens the closet’s door.
|
|||||||
Last scene |
The teacher falls on the school benches.
|
|||||||
Film |
|
Number |
47 |
|||||
Code |
57 |
|||||||
Length |
56’’ |
|||||||
Emotion |
Disgust |
|||||||
Scene description |
A mutilated woman without a tongue tries to prevent a man that he is in danger.
|
|||||||
First scene |
A man finds a tongue in a swimming pool.
|
|||||||
Last scene |
Camera shot of the man’s back. Beyond him is the woman sitting on an armchair.
|
|||||||
Film |
|
Number |
48 |
|||||
Code |
58 |
|||||||
Length |
3’48’’ |
|||||||
Emotion |
Tenderness |
|||||||
Scene description |
In a prisoner’s camp, the father (Roberto Benigni) translates the orders given by the soldier to the prisoners. He is not actually translating, but he is making up a translation that does not scare his son. Specifically, he is trying to make his son believe that all this is a large-scale game.
|
|||||||
First scene |
The child sitting on the bed complains that the place is ugly and stinks.
|
|||||||
Last scene |
The father comes back close to the child telling him: “We are not going to get bored, I told you”.
|
|||||||
Film |
|
Number |
49 |
|||||
Code |
59 |
|||||||
Length |
25’’ |
|||||||
Emotion |
Neutral |
|||||||
Scene description |
A woman goes up on an escalator, carrying a box.
|
|||||||
First scene |
Camera shot of the woman’s back as she goes up the escalator.
|
|||||||
Last scene |
She enters a market.
|
|||||||
Film |
|
Number |
50 |
|||||
Code |
510 |
|||||||
Length |
3’31’’ |
|||||||
Emotion |
Fear |
|||||||
Scene description |
Annie (Kathy Bates) breaks Paul’s legs (James Caan).
|
|||||||
First scene |
Paul is lying in his bed and tries to hide a knife.
|
|||||||
Last scene |
Close-up on Annie’s face. She says “God… ”
|
|||||||
Film |
|
Number |
51 |
|||||
Code |
61 |
|||||||
Length |
2’30’’ |
|||||||
Emotion |
Anger |
|||||||
Scene description |
Sera (Elisabeth Shue) is raped and beaten by 3 young men.
|
|||||||
First scene |
Someone knocks at the door.
|
|||||||
Last scene |
Close-up of Sera’s disfigured face.
|
|||||||
Film |
|
Number |
52 |
|||||
Code |
62 |
|||||||
Length |
2’08’’ |
|||||||
Emotion |
Sadness |
|||||||
Scene description |
The character played by Michelle Pfeiffer tells the class that one of their classmates is dead.
|
|||||||
First scene |
Close-up of her lips before someone knocks at the door.
|
|||||||
Last scene |
Tears on Michelle Pfeiffer’s face.
|
|||||||
Film |
|
Number |
53 |
|||||
Code |
63 |
|||||||
Length |
58’’ |
|||||||
Emotion |
Amusement |
|||||||
Scene description |
A man’s attempts to have sex with a prostitute are interrupted by the bombing of the city by German planes during WWII.
|
|||||||
First scene |
The man is drinking a liqueur in a small bottle.
|
|||||||
Last scene |
The woman loses her bathrobe running away.
|
|||||||
Film |
|
Number |
54 |
|||||
Code |
64 |
|||||||
Length |
2’07’’ |
|||||||
Emotion |
Sadness |
|||||||
Scene description |
The father is killed.
|
|||||||
First scene |
An officer whistles while going after the father who is dressed up as a woman.
|
|||||||
Last scene |
A panoramic view of the land in the morning, everything looks quiet.
|
|||||||
Film |
|
Number |
55 |
|||||
Code |
65 |
|||||||
Length |
3’57’’ |
|||||||
Emotion |
Fear |
|||||||
Scene description |
Anxious-provoking scene by the end of the movie: Heather (Heather Donahue), and Mike (Michael Williams) – who is filming Heather - are looking for Joshua (Joshua Leonard) in the woods, at night. They hear screams, apparently form Joshua. They find a house, from where the screams are coming. Mike and Heather go to the second floor. Next, Mike comes back without Heather. Heather’s screams can be heard. Eventually, Mike’s camera falls on the ground, and keeps filming.
|
|||||||
First scene |
Heather – filmed by Mike - looks for Joshua in the woods; she hears screams.
|
|||||||
Last scene |
The camera is on the floor, and keeps filming .
|
|||||||
Film |
|
Number |
56 |
|||||
Code |
66 |
|||||||
Length |
2’01’’ |
|||||||
Emotion |
Tenderness |
|||||||
Scene description |
Benny (Johnny Depp) plays the fool in a coffee shop.
|
|||||||
First scene |
Benny starts to clap his hands.
|
|||||||
Last scene |
The barwoman, amused, looks away. The juke-box stops.
|
|||||||
Film |
|
Number |
57 |
|||||
Code |
67 |
|||||||
Length |
1’30’’ |
|||||||
Emotion |
Disgust |
|||||||
Scene description |
On the floor, the size of two stains are growing, and progressively transforming into a monster with a human-like skeleton.
|
|||||||
First scene |
Two stains on the floor are growing, and the floor is shaking.
|
|||||||
Last scene |
The monster yells.
|
|||||||
Film |
|
Number |
58 |
|||||
Code |
68 |
|||||||
Length |
43’’ |
|||||||
Emotion |
Neutral |
|||||||
Scene description |
Marguerite (Jane March) gets into a car, and the car starts to ride. She is dropped of on an animated street. She knocks on a door, and a Chinese man opens and lets her in.
|
|||||||
First scene |
Close-up on the school’s gate. A car is parked in the front.
|
|||||||
Last scene |
Marguerite knocks on the door. A man (Tony Leung) opens and lets her in.
|
|||||||
Film |
|
Number |
59 |
|||||
Code |
69 |
|||||||
Length |
2’40’’ |
|||||||
Emotion |
Tenderness |
|||||||
Scene description |
By the end of the movie, all the students climb on their desks to manifest their solidarity with Mr. Keating (Robin William), who has just been fired.
|
|||||||
First scene |
Mr Keating enters the classroom.
|
|||||||
Last scene |
Mr Keating thanks the students. One of them looks at him with tears in his eyes.
|
|||||||
Film |
|
Number |
61 |
|||||
Code |
71 |
|||||||
Length |
2’55’’ |
|||||||
Emotion |
Amusement |
|||||||
Scene description |
Ted (Ben Stiller) fights with the dog.
|
|||||||
First scene |
Magda (Lin Shaye) has a beauty mask and a glass of champagne in her hand.
|
|||||||
Last scene |
Ted lies down on the couch after he just threw the dog through the window.
|
|||||||
Film |
|
Number |
62 |
|||||
Code |
72 |
|||||||
Length |
5’28’’ |
|||||||
Emotion |
Sadness |
|||||||
Scene description |
Andrew (Tom Hanks) and Joe (Denzel Washington) listen to an opera aria on the stereo. Ted describes to Joe the pain and passion felt by the opera character.
|
|||||||
First scene |
Joe drinks a cup of coffee with Andrew and prepares for their forthcoming meeting with the judge.
|
|||||||
Last scene |
Andrew holds his perfusion with one hand. The other hand is on his chest.
|
|||||||
Film |
|
Number |
63 |
|||||
Code |
73 |
|||||||
Length |
1’54’’ |
|||||||
Emotion |
Disgust |
|||||||
Scene description |
Ben (Benoît Poelvoorde) is a hitman who is being followed by a TV crew trying to make a documentary about him. As the story unfolds, the members of the TV crew get progressively involved in Ben’s crimes. In this specific scene, Ben and all the members of the TV crew rape and kill a woman while her husband is forced to watch the scene.
|
|||||||
First scene |
Ben gets into an apartment, followed by the TV crew. They find a couple naked in the kitchen.
|
|||||||
Last scene |
The woman is dead, disembowelled. The man is in the sink, and there is blood everywhere in the kitchen.
|
|||||||
Film |
|
Number |
64 |
|||||
Code |
74 |
|||||||
Length |
16’’ |
|||||||
Emotion |
Neutral |
|||||||
Scene description |
A person passes a piece of aluminium foil through the window of a car.
|
|||||||
First scene |
Close-up of a car tire. The sound of the engine can be heard.
|
|||||||
Last scene |
The person drops the aluminium foil.
|
|||||||
Film |
|
Number |
65 |
|||||
Code |
75 |
|||||||
Length |
5’52’’ |
|||||||
Emotion |
Anger |
|||||||
Scene description |
By the end of the movie, John Doe (Kevin Spacey) tells Mills (Brad Pitt) that he beheaded his pregnant wife.
|
|||||||
First scene |
A van arrives in the desert near a high-tension line.
|
|||||||
Last scene |
A policeman in the helicopter says: “shit”. In order to maximize the anger discreteness, it is better not to include the scene in which Mills kills John Doe.
|
|||||||
Film |
|
Number |
66 |
|||||
Code |
76 |
|||||||
Length |
3’35’’ |
|||||||
Emotion |
Fear |
|||||||
Scene description |
A pursuit takes place through the college.
|
|||||||
First scene |
Gale (Courtney Cox) and Dewey (David Arquette) are in the classroom; all the TVs are turned on. They notice that the killer is in the projection room. Dewey decides to go there.
|
|||||||
Last scene |
Dewey is on the other side of a window; the killer is just behind him.
|
|||||||
Film |
|
Number |
67 |
|||||
Code |
77 |
|||||||
Length |
2’13’’ |
|||||||
Emotion |
Amusement |
|||||||
Scene description |
Simon (Dominique Farrugia), Serge (Alain Chabat) and Odile (Chantal Lauby) are at the dinner table and talk about the inquiry.
|
|||||||
First scene |
Odile gives a mobile phone to Serge.
|
|||||||
Last scene |
Simon takes out a piece of potato that he has in the side of his mouth.
|
|||||||
Film |
|
Number |
68 |
|||||
Code |
78 |
|||||||
Length |
1’30’’ |
|||||||
Emotion |
Anger |
|||||||
Scene description |
German soldiers invade a Jewish ghetto, where they kill as many people they can, while one of the officers is playing a Mozart piece at the piano.
|
|||||||
First scene |
A child comes out from a piano where he has been hiding.
|
|||||||
Last scene |
The soldiers stand in front of all the bodies piled outside.
|
|||||||
Film |
|
Number |
69 |
|||||
Code |
79 |
|||||||
Length |
3’19’’ |
|||||||
Emotion |
Disgust |
|||||||
Scene description |
Crime linked to the sin of gluttony. David Mills (Brad Pitt) and William (Morgan Freeman) are exploring a crime’s site. An overweighted man is dead. He is sitting on a table, his head is lying on a dish. His feet and hands are tied.Cockroaches are running over the victim’s dish. The policemen and a legist are analyzing the body.
|
|||||||
First scene |
David Mills explores a house using an electric torch. There are cockroaches in the place.
|
|||||||
Last scene |
The legist lifts up the victim’s head, William looks over his shoulder.
|
|||||||
Film |
|
Number |
70 |
|||||
Code |
710 |
|||||||
Length |
4’09’’ |
|||||||
Emotion |
Tenderness |
|||||||
Scene description |
An American tank liberates a prison camp; the boy climbs up on the tank and finds her mother again, at the end of the movie.
|
|||||||
First scene |
Two people hold one another by the shoulders and walk to the exit of a courtyard .
|
|||||||
Last scene |
The mother holds her son who has his arms pointing to the sky.
|
|||||||
Mise
à jour :
30/04/2020 -
Pierre Mahau
|