{"id":38243,"date":"2016-11-30T11:34:28","date_gmt":"2016-11-30T10:34:28","guid":{"rendered":"https:\/\/sites.uclouvain.be\/digithemis\/index.php\/collective-imagination\/"},"modified":"2022-05-19T16:32:13","modified_gmt":"2022-05-19T14:32:13","slug":"collective-imagination","status":"publish","type":"page","link":"https:\/\/sites.uclouvain.be\/digithemis\/?page_id=38243","title":{"rendered":"Collective imagination"},"content":{"rendered":"\t\t
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\"drapeau HET COLLECTIEVE GEDACHTEGOED\u00a0<\/strong><\/strong>\n<\/strong><\/span><\/td>\n\"Drapeau COLLECTIVE IMAGINATION<\/strong><\/strong><\/span><\/td>\n\"Drapeau\u00a0<\/strong>L’IMAGINAIRE COLLECTIF<\/strong>\u00a0<\/strong><\/span><\/td>\n<\/tr>\n
\u201c<\/span>De culturele achtergrond in spionagefictie verwijst naar een gedachtengoed met veel betekenissen. Immers, het verhaal wordt belichaamd door de spion, die meerdere, veelvuldige en dynamische vormen kan aannemen\u201d.<\/span><\/td>\n\u201c<\/span>The cultural setting put forward in spy fiction refers to a collective imagination that is full of meaning. Above all, spy fiction is embodied by the spy, but the latter can take a number of forms that are multiple, complex, dynamic, (…)\u201d.<\/span><\/td>\n\u201c<\/span>La configuration culturelle propos\u00e9e par la fiction d’espionnage renvoie \u00e0 un imaginaire collectif plein de sens. L’espionnage imaginaire, c’est d’abord l’espion. Mais ce h\u00e9ro prend des formes multiples, complexes, dynamiques, (…)\u201d.<\/span><\/td>\n<\/tr>\n
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Alain Dewerpe<\/p>\n

\u00ab\u00a0Espion – une anthropologie historique du secret d’Etat contemporain\u00a0\u00bb – nrf – 1994 ENA<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
INLICHTINGEN EN FANTASIE<\/strong><\/span><\/td>\n\u00a0INTELLIGENCE MIRRORS FANTASIES\u00a0<\/strong><\/span><\/td>\nL<\/strong>E RENSEIGNEMENT EST UN\u00a0<\/strong>MIROIR AUX FANTASMES\u00a0<\/strong><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
\u201cDe geheimhouding rond haar activiteiten heeft de collectieve verbeelding aangesproken door middel van een erg vruchtbaar literair genre. De filmindustrie was ook ge\u00efn-teresseerd in het onderwerp, en werd ten zeerste ge\u00efnspireerd door de literatuur, zoals duidelijk wordt uit de talloze bewerkingen van auteurs zoals Graham Greene, Ian Fleming of John Le Carr\u00e9, die allen de verdienste hebben van nauwe \u2013 of zelfs zeer nauwe \u2013 banden met inlichtingendiensten te hebben gekoesterd\u201d.<\/td>\n\u201cThe secrecy shrouding its activities has spurred collective imagination through a prolific literary genre. Cinema was also interested in the subject, and was greatly inspired by literature, as illustrated by the countless adaptations of authors such as Graham Greene, Ian Fleming or John Le Carr\u00e9, who all have the merit of having fostered close \u2013 or even very close \u2013 links with intelligence agencies\u201d.<\/span><\/td>\n\u201cLe secret qui entoure ses activit\u00e9s a nourri l\u2019imaginaire collectif \u00e0 travers un genre litt\u00e9raire foisonnant, dont le cin\u00e9ma s\u2019est \u00e0 son tour logiquement empar\u00e9, non sans s\u2019en inspirer abondamment au passage comme en t\u00e9moignent les innombrables adaptations d\u2019auteurs tels que Graham Greene, Ian Fleming ou John Le Carr\u00e9- \u00e9crivains qui ont le m\u00e9rite d\u2019avoir fr\u00e9quent\u00e9 de pr\u00e8s, voire de tr\u00e8s pr\u00e8s l\u2019univers des services de renseignement\u201d.<\/span><\/td>\n<\/tr>\n
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Guillaume Lanier<\/p>\n

ENA – promotion JJ Rousseau 2011<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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Previous page Back to exhibition’s homepage Next page HET COLLECTIEVE GEDACHTEGOED\u00a0 COLLECTIVE IMAGINATION \u00a0L’IMAGINAIRE COLLECTIF\u00a0 \u201cDe culturele achtergrond in spionagefictie … <\/p>\n","protected":false},"author":33,"featured_media":0,"parent":37603,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-38243","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.uclouvain.be\/digithemis\/index.php?rest_route=\/wp\/v2\/pages\/38243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.uclouvain.be\/digithemis\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.uclouvain.be\/digithemis\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.uclouvain.be\/digithemis\/index.php?rest_route=\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.uclouvain.be\/digithemis\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=38243"}],"version-history":[{"count":5,"href":"https:\/\/sites.uclouvain.be\/digithemis\/index.php?rest_route=\/wp\/v2\/pages\/38243\/revisions"}],"predecessor-version":[{"id":59953,"href":"https:\/\/sites.uclouvain.be\/digithemis\/index.php?rest_route=\/wp\/v2\/pages\/38243\/revisions\/59953"}],"up":[{"embeddable":true,"href":"https:\/\/sites.uclouvain.be\/digithemis\/index.php?rest_route=\/wp\/v2\/pages\/37603"}],"wp:attachment":[{"href":"https:\/\/sites.uclouvain.be\/digithemis\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=38243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}