{"id":9453,"date":"2021-10-25T12:58:00","date_gmt":"2021-10-25T10:58:00","guid":{"rendered":"https:\/\/sites.uclouvain.be\/chairealtissia\/?p=9453"},"modified":"2024-01-08T14:18:27","modified_gmt":"2024-01-08T13:18:27","slug":"altissiachair-christanasescu-ed-literature-and-as-the-digital","status":"publish","type":"post","link":"https:\/\/sites.uclouvain.be\/chairealtissia\/2021\/10\/25\/altissiachair-christanasescu-ed-literature-and-as-the-digital\/","title":{"rendered":"25 octobre 2021 &#8211; #AltissiaChair #ChrisTanasescu ed. Literature and\/as (the) Digital"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/interferenceslitteraires.be\/public\/journals\/1\/homepageImage_en_US.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Special issue (Vol. 25) of <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Interf\u00e9rences litteraires\/literaire interferenties<\/em> <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">on <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/issue\/view\/61\" data-type=\"URL\" data-id=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/issue\/view\/61\">Literature and\/as (the) Digital<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">guest edited by Chris Tanasescu<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Contents:<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/article\/view\/1078\">Literature and\/as (the) Digital. An Introduction<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Chris Tanasescu<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><\/pre>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/article\/view\/1081\">Writing like a Machine or Becoming an Algorithmic Subject<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Johanna Drucker<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><\/pre>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/article\/view\/1084\">Applying Poetic Media in the Digital Humanities<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Christoper Funkhouser<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><\/pre>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/article\/view\/1087\">Pour une red\u00e9finition pornographique du champ litt\u00e9raire. Une exploration des marges de la litt\u00e9rature num\u00e9rique avec les travailleuses du texte<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Servanne Monjour, Marcello Vitali-Rosati<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><\/pre>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/article\/view\/1090\">Close Listening and Synesthetic Reading Across Multiple Poetry Archives: Tracking the Performative Afterlives of a Poem<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">James Lee, Ankit Basnet, Holly Virginia Clark, Michael Hennessey, Arlene Johnson, Wendy Burk, Nidhi Mavani<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><\/pre>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/article\/view\/1093\">Performative poetry as program, programmed poetry as performance<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Rui Torres, Sandra Guerreiro Dias<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><\/pre>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/article\/view\/1096\">Why #WomenTechLit? Because\u2026<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Maria Mencia<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><\/pre>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/article\/view\/1099\">On an Unknown Ancestor of Burrows\u2019 Delta Measure<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Petr Plech\u00e1\u010d<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><\/pre>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/article\/view\/1102\">Thresholds to the \u201cGreat Unread\u201d: Titling Practices in Eleven ELTeC Collections<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Roxana Patras, Carolin Odebrecht, Ioana Galleron, Rosario Arias, Berenike J. Herrmann, Cvetana Krstev, Katja Mihurko Poni\u017e, Dmytro Yesypenko<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><\/pre>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/article\/view\/1105\">Hard Nut to Crack: Automatic Idiom Detection<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Anna Feldman<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><\/pre>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/article\/view\/1108\">Distant and Close Reading in Literature: a case of networks in Periodical Studies<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Julie M. Birkholz, Leah Budke<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><\/pre>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/article\/view\/1111\">#GraphPoem: Automatic Classification of Rhyme and Diction in Poetry<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Vaibhav Kesarwani, Diana Inkpen, Chris Tanasescu<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><\/pre>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/article\/view\/1117\">Vagueness Machines: Computational Indeterminacy in the Work of Jen Bervin and Nick Montfort<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Andrew Klobucar<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><\/pre>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/article\/view\/1120\">Po\u00e9sies performatives \u00e0 l\u2019\u00e9preuve de la spatialit\u00e9: la r\u00e9sidence d\u2019\u00e9criture num\u00e9rique<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Carole Bisenius-Penin, Karen Cayrat<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><\/pre>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/article\/view\/1123\">La litt\u00e9rature num\u00e9rique, ce \u00ab jeu d\u2019\u00e9criture \u00e0 ciel ouvert \u00bb<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Corentin Lahouste<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><\/pre>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/article\/view\/1126\">Depending or Transgressing? Kinetic Writing that Belongs and Breaks Away<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c1lvaro Sei\u00e7a<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><\/pre>\n\n\n\n<p class=\"wp-block-paragraph\"><small>Varia<\/small><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/article\/view\/1132\">Un atlas des zones blanches. Un monde sans rivage, d\u2019H\u00e9l\u00e8ne Gaudy<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Manon Delcour<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><\/pre>\n\n\n\n<p class=\"wp-block-paragraph\">Interview<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/article\/view\/1129\">\u00ab Et \u00e0 la fin on avait un seul texte \u00bb. \u00c9criture po\u00e9tique, ateliers et livres num\u00e9riques. Entretien avec Nicolas Tardy<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Nicolas Tardy, Anne Reverseau<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\"><\/pre>\n\n\n\n<p class=\"wp-block-paragraph\">Read the issue on the journal&rsquo;s website <strong><a href=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/issue\/view\/61\" data-type=\"URL\" data-id=\"http:\/\/interferenceslitteraires.be\/index.php\/illi\/issue\/view\/61\">here. <\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Special issue (Vol. 25) of Interf\u00e9rences litteraires\/literaire interferenties on Literature and\/as (the) Digital guest edited by Chris Tanasescu Contents: Literature and\/as (the) Digital. An Introduction Chris Tanasescu Writing like a Machine or Becoming an Algorithmic Subject Johanna Drucker Applying Poetic Media in the Digital Humanities Christoper Funkhouser Pour une red\u00e9finition pornographique du champ litt\u00e9raire. Une [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[373],"tags":[353,863,303,843,33,883,893,343,63,853,913,663,873,903,23],"class_list":["post-9453","post","type-post","status-publish","format-standard","hentry","category-research-recherche","tag-margento_","tag-christanasescu","tag-graphpoem","tag-margento-2","tag-altissia-chair","tag-anke-gilleir","tag-beatrijs-vanacker","tag-dhuclouvain","tag-incal","tag-interferences-litteraires","tag-kim-overlaet","tag-kul","tag-literature-and-as-the-digital","tag-myriam-watthee-delmotte","tag-uclouvain"],"_links":{"self":[{"href":"https:\/\/sites.uclouvain.be\/chairealtissia\/wp-json\/wp\/v2\/posts\/9453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.uclouvain.be\/chairealtissia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.uclouvain.be\/chairealtissia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.uclouvain.be\/chairealtissia\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.uclouvain.be\/chairealtissia\/wp-json\/wp\/v2\/comments?post=9453"}],"version-history":[{"count":2,"href":"https:\/\/sites.uclouvain.be\/chairealtissia\/wp-json\/wp\/v2\/posts\/9453\/revisions"}],"predecessor-version":[{"id":12284,"href":"https:\/\/sites.uclouvain.be\/chairealtissia\/wp-json\/wp\/v2\/posts\/9453\/revisions\/12284"}],"wp:attachment":[{"href":"https:\/\/sites.uclouvain.be\/chairealtissia\/wp-json\/wp\/v2\/media?parent=9453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.uclouvain.be\/chairealtissia\/wp-json\/wp\/v2\/categories?post=9453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.uclouvain.be\/chairealtissia\/wp-json\/wp\/v2\/tags?post=9453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}