La chaire Altissia est une initiative acad\u00e9mique soutenue par la soci\u00e9t\u00e9 Altissia, qui vise \u00e0 sensibiliser largement les membres de la Facult\u00e9 FIAL \u00e0 l\u2019influence du num\u00e9rique sur nos disciplines, nos m\u00e9tiers et plus largement sur la soci\u00e9t\u00e9. De nombreux cours en FIAL et de nombreuses recherches prennent d\u00e9j\u00e0 en compte cette \u00e9volution, mais la Chaire Altissia aura pour but de f\u00e9d\u00e9rer ces initiatives et de proposer de nouvelles actions, sous l\u2019\u00e9gide d\u2019un professeur sp\u00e9cialis\u00e9 dans ce domaine et recrut\u00e9 pour cette mission.<\/p>\n\n\n\n
[Lien] Num\u00e9rique : il ne suffit pas d\u2019\u00eatre ‘digital native’<\/a> <\/p>\n\n\n\n Chris Tanasescu<\/strong> a \u00e9t\u00e9 recrut\u00e9 pour prendre en charge ce projet facultaire interdisciplinaire. Chris est dipl\u00f4m\u00e9 en anglais, en math\u00e9matiques et en informatique. En 2010-2011, il a \u00e9t\u00e9 boursier postdoctoral principal Fulbright et professeur invit\u00e9 \u00e0 la San Diego State University (\u00c9tats-Unis). En 2012-13, il \u00e9tait professeur invit\u00e9 \u00e0 l’Universit\u00e9 Paris X.<\/p>\n\n\n\n En 2013-19, Chris \u00e9tait professeur auxiliaire \u00e0 l’\u00c9cole de g\u00e9nie et d’informatique de l’Universit\u00e9 d’Ottawa. Il a \u00e9t\u00e9 chercheur principal dans le cadre d’une subvention de deux ans du CRSH portant sur un projet intitul\u00e9 \u00abPoetry Computational Graphs (The Graph Poem Initiative)\u00bb (http: \/ \/artsites.uottawa.ca\/margento\/fr\/the-graph-poem\/<\/a>). Il a particip\u00e9 \u00e9galement \u00e0 une subvention strat\u00e9gique de 3 ans du CRSNG intitul\u00e9e \u00abTechnologies de l’information et de la communication \/ Des donn\u00e9es \u00e0 la connaissance, en passant \u00e0 l’action\u00bb (chercheuse principale: la Professeure Diana Inkpen). <\/p>\n\n\n\n Chris est \u00e9galement un po\u00e8te et interpr\u00e8te (connu sous le nom de MARGENTO) de renomm\u00e9e internationale qui utilise les technologies num\u00e9riques (https:\/\/twitter.com\/GraphPoem<\/a>), les approches intermedia et cross-artform (https:\/\/bit.ly\/2Xzdk4p<\/a>). En 2016, il a \u00e9t\u00e9 nomm\u00e9 coordonnateur de l\u2019infrastructure pour sciences num\u00e9riques \u00e0 la Facult\u00e9 des arts de l\u2019Universit\u00e9 d\u2019Ottawa et, en 2018, coordonnateur des sciences humaines num\u00e9riques.<\/p>\n\n\n\n Ses principaux domaines de recherche et d’enseignement sont les sciences humaines num\u00e9riques, la po\u00e9sie informatique, le traitement du langage naturel, les applications de la th\u00e9orie des graphes, les nouveaux m\u00e9dias et la polym\u00e9diation, l’analyse de texte, l’analyse litt\u00e9raire informatique, les \u00e9tudes litt\u00e9raires num\u00e9riques, l’analyse de corpus, l’apprentissage automatique, la po\u00e9sie num\u00e9rique et post-num\u00e9rique. <\/p>\n\n\n\n Publications\nr\u00e9centes<\/strong><\/p>\n\n\n\n Num\u00e9ro sp\u00e9cial de revue acad\u00e9mique :<\/em><\/p>\n\n\n\n Chris Tanasescu (ed.). 2021. Interf\u00e9rences litt\u00e9raires\/Literaire interferenties<\/em>, Vol. 25, special issue on \u00ab\u00a0Literature and\/as (the) Digital. <\/a><\/p>\n\n\n\n Chapitre du livre:<\/em><\/p>\n\n\n\n Raluca Tanasescu, Chris Tanasescu\n(Margento). 2019. \u201cTranslator Networks of Networks in Digital Space. The Case\nof Asymptote Journal<\/em>\u201d in Complexity Thinking\nin Translation Studies. Methodological Considerations, <\/em>Edited\nBy Kobus Marais, Reine Meylaerts. New York: Routledge. https:\/\/bit.ly\/2KNZPq5<\/a> <\/p>\n\n\n\n Articles:<\/em><\/p>\n\n\n\n Chris Tanasescu (Margento), Diana Inkpen, Vaibhav Kesarwani, Prasadith Kirinde Gamaarachchige. 2020. \u00ab\u00a0A-poetic Technology. #GraphPoem and the Social Function of Computational Performance.\u00a0\u00bb DH Benelux Journal,<\/em> issue 002, https:\/\/bit.ly\/3a4HB0C <\/p>\n\n\n\n Chris Tanasescu, Vaibhav Kesarwani, Diana Inkpen. 2018. \u201cMetaphor Detection by Deep Learning and the Place of Poetic Metaphor in Digital Humanities\u201d in AAAI (Association for the Advancement of Artificial Intelligence) Publications, The Thirty-First International Flairs Conference, Florida. <\/em>https:\/\/bit.ly\/2P5LV6M<\/a> <\/p>\n\n\n\n Livres:<\/em><\/p>\n\n\n\n MARGENTO, Steve Rushton, and Taner Murat. 2021. Various Wanted. An almost missing original and five–literary, computational, and visual–translations.<\/em> Iasi & London: Timpul. https:\/\/bit.ly\/3yBSGyV<\/a>. <\/p>\n\n\n\n MARGENTO. 2018. \u201cUS\u201d Poets Foreign Poets. A Computationally Assembled Anthology<\/em>. Ottawa & Bucharest: FrACTalia. https:\/\/bit.ly\/2MxcS2n<\/a>; https:\/\/bit.ly\/2HSWJSg<\/a><\/p>\n\n\n\n [EN]<\/p>\n\n\n\n The Altissia Chair is an\nacademic initiative supported by the Altissia company, which aims to raise the\nawareness of members of the FIAL Faculty to the influence of digital technology\non our disciplines, our professions and more broadly on society. Many FIAL\ncourses and many researches already take into account this evolution, yet the\nChair Altissia will aim to federate these initiatives and to propose new\nactions, under the aegis of a professor specialized in this field and recruited\nfor this mission.<\/p>\n\n\n\n Chris Tanasescu has been\nrecruited to take charge of this interdisciplinary faculty project. Chris\nholds degrees in English and Mathematics and Computer Science. In 2010-2011 he\nwas a Senior Fulbright Postdoctoral Fellow and Visiting Professor at San Diego\nState University (USA). In 2012-13 he was Visiting Professor at Universit\u00e9\nParis X. <\/p>\n\n\n\n In 2013-19 Chris was Adjunct\nProfessor in the University of Ottawa\u2019s School of Engineering and Computer\nScience, working as a principal investigator through a 2-year SSHRC grant on a\nproject titled \u201cPoetry Computational Graphs (The Graph Poem Initiative)\u201d (http:\/\/artsites.uottawa.ca\/margento\/en\/the-graph-poem\/<\/a>). He\nwas also involved in a 3-year NSERC Strategic Grant titled \u201cInformation and Communications\nTechnologies \/ From Data to Knowledge to Action\u201d (principal investigator: prof.\nDiana Inkpen).<\/p>\n\n\n\n Chris is also an\ninternationally awarded poet and performer (aka MARGENTO) employing digital\ntechnologies (https:\/\/twitter.com\/GraphPoem<\/a>),\nintermedia, and cross-artform approaches (https:\/\/bit.ly\/2Xzdk4p<\/a>). In\n2016 he was appointed Coordinator of Digital Humanities Resources with\nUniversity of Ottawa\u2019s Faculty of Arts, and in 2018 Coordinator of Digital\nHumanities.<\/p>\n\n\n\n His main research and teaching interests are digital humanities, computational poetry, natural language processing, graph theory applications, new media and polymediation, text analysis, computational literary analysis, digital literary studies, corpus analysis, machine learning, digital and postdigital poetry and poetics. <\/p>\n\n\n\n Recent publications: <\/strong><\/p>\n\n\n\n Journal Special Issue:<\/em><\/p>\n\n\n\n Chris Tanasescu (ed.). 2021. Interf\u00e9rences litt\u00e9raires\/Literaire interferenties<\/em>, Vol. 25, special issue on \u00ab\u00a0Literature and\/as (the) Digital. <\/a><\/p>\n\n\n\n Book chapter:<\/em><\/p>\n\n\n\n Raluca Tanasescu, Chris Tanasescu\n(Margento). 2019. \u201cTranslator Networks of Networks in Digital Space. The Case\nof Asymptote Journal<\/em>\u201d in Complexity Thinking\nin Translation Studies. Methodological Considerations, <\/em>Edited\nBy Kobus Marais, Reine Meylaerts. New York: Routledge. https:\/\/bit.ly\/2KNZPq5<\/a> <\/p>\n\n\n\n Articles:<\/em><\/p>\n\n\n\n Chris Tanasescu (Margento), Diana Inkpen, Vaibhav Kesarwani, Prasadith Kirinde Gamaarachchige. 2020. \u00ab\u00a0A-poetic Technology. #GraphPoem and the Social Function of Computational Performance.\u00a0\u00bb DH Benelux Journal,<\/em> issue 002, https:\/\/bit.ly\/3a4HB0C <\/p>\n\n\n\n Chris Tanasescu, Vaibhav Kesarwani, Diana Inkpen. 2018. \u201cMetaphor Detection by Deep Learning and the Place of Poetic Metaphor in Digital Humanities\u201d in AAAI (Association for the Advancement of Artificial Intelligence) Publications, The Thirty-First International Flairs Conference, Florida. <\/em>https:\/\/bit.ly\/2P5LV6M<\/a> <\/p>\n\n\n\n Books:<\/em><\/p>\n\n\n\n MARGENTO, Steve Rushton, and Taner Murat. 2021. Various Wanted. An almost missing original and five–literary, computational, and visual–translations.<\/em> Iasi & London: Timpul. https:\/\/bit.ly\/3yBSGyV<\/a>. <\/p>\n\n\n\n MARGENTO. 2018. \u201cUS\u201d Poets Foreign Poets. A Computationally Assembled Anthology<\/em>. Ottawa & Bucharest: FrACTalia. https:\/\/bit.ly\/2MxcS2n<\/a>; https:\/\/bit.ly\/2HSWJSg<\/a><\/p>\n\n\n <\/p>","protected":false},"excerpt":{"rendered":" La chaire Altissia est une initiative acad\u00e9mique soutenue par la soci\u00e9t\u00e9 Altissia, qui vise \u00e0 sensibiliser largement les membres de la Facult\u00e9 FIAL \u00e0 l\u2019influence du num\u00e9rique sur nos disciplines, nos m\u00e9tiers et plus largement sur la soci\u00e9t\u00e9. De nombreux cours en FIAL et de nombreuses recherches prennent d\u00e9j\u00e0 en compte cette \u00e9volution, mais la […]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-4163","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.uclouvain.be\/chairealtissia\/wp-json\/wp\/v2\/pages\/4163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.uclouvain.be\/chairealtissia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.uclouvain.be\/chairealtissia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.uclouvain.be\/chairealtissia\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.uclouvain.be\/chairealtissia\/wp-json\/wp\/v2\/comments?post=4163"}],"version-history":[{"count":4,"href":"https:\/\/sites.uclouvain.be\/chairealtissia\/wp-json\/wp\/v2\/pages\/4163\/revisions"}],"predecessor-version":[{"id":9963,"href":"https:\/\/sites.uclouvain.be\/chairealtissia\/wp-json\/wp\/v2\/pages\/4163\/revisions\/9963"}],"wp:attachment":[{"href":"https:\/\/sites.uclouvain.be\/chairealtissia\/wp-json\/wp\/v2\/media?parent=4163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}