{"id":1405,"date":"2019-07-02T12:48:17","date_gmt":"2019-07-02T10:48:17","guid":{"rendered":"https:\/\/sites.uclouvain.be\/cet\/?p=1405"},"modified":"2019-09-18T10:50:16","modified_gmt":"2019-09-18T08:50:16","slug":"vera-icona","status":"publish","type":"post","link":"https:\/\/sites.uclouvain.be\/cet\/vera-icona\/","title":{"rendered":"Vera Icona"},"content":{"rendered":"

Laboratoire men\u00e9 par V\u00e9ronique Caye et V\u00e9ronique Lemaire dans le cadre du Groupe de recherche en sc\u00e9nographie (GRES) du 10 au 14 d\u00e9cembre 2018 au Centre d\u2019\u00e9tudes th\u00e9\u00e2trales (UCLouvain), place de l\u2019Hocaille, 4, 1348 Louvain-la-Neuve<\/p>\n

En ce d\u00e9but de 21<\/em>\u00e8me<\/em><\/sup> si\u00e8cle, au regard de la prolif\u00e9ration des images dans nos quotidiens et sur les plateaux de th\u00e9\u00e2tre, il est n\u00e9cessaire de mener une recherche fondamentale et artistique sur la mise en sc\u00e8ne de l\u2019image dans le spectacle vivant. <\/em><\/p>\n

Cette probl\u00e9matique donne souvent lieu \u00e0 des articles isol\u00e9s. <\/em>Vera icona<\/em> se propose d\u2019explorer ce territoire de l\u2019image-medium selon trois paradigmes, l\u2019iconographie1<\/sup><\/a>, l\u2019\u00e9cologie2<\/sup><\/a> (le contexte) de production des images et l\u2019image comme sympt\u00f4me d\u2019un monde contemporain3<\/sup><\/a>, dont le spectacle vivant est le reflet.<\/em><\/p>\n

L\u2019image, en tant que medium, est peut-\u00eatre le plus grand bouleversement formel du th\u00e9\u00e2tre au 21<\/em>\u00e8me<\/em><\/sup> si\u00e8cle. Si l\u2019image-medium envahit les plateaux, elle est surtout messag\u00e8re de sens, image sympt\u00f4me pour reprendre les termes du philosophe Georges Didi Huberman<\/em><\/p>\n

Sympt\u00f4me non pas d\u2019une maladie, mais bien sympt\u00f4me d\u2019une \u00e9poque, d\u2019une soci\u00e9t\u00e9 qui se d\u00e9ploie dans une prolif\u00e9ration d\u2019images quotidiennes.<\/em><\/p>\n

Que r\u00e9v\u00e8le cette image sympt\u00f4me mise en sc\u00e8ne\u00a0par les cr\u00e9ateurs contemporains?<\/em>. V. Caye<\/p>\n

\u00c0 partir de la pr\u00e9sentation de la recherche de V\u00e9ronique Caye sur l\u2019utilisation de la vid\u00e9o dans les arts de la sc\u00e8ne intitul\u00e9e Vera Icona<\/em> (L\u2019image vraie), ce laboratoire a pour objectif d\u2019explorer le territoire de la mise en sc\u00e8ne de l\u2019image en associant des th\u00e9oriciens, des metteurs en sc\u00e8ne, des sc\u00e9nographes et des \u00e9tudiants, durant une semaine de recherche\/atelier, th\u00e9orique et appliqu\u00e9. Plus pr\u00e9cis\u00e9ment, il s\u2019agit de questionner les liens dramaturgiques entre la vid\u00e9o et la sc\u00e9nographie dans les arts de la sc\u00e8ne.<\/p>\n

Intervenants associ\u00e9s\u00a0: Daniel Lesage, Peter Missotten, Catherine Naugrette, Philippe Sireuil,<\/p>\n

D\u00e9roulement du laboratoire <\/strong><\/p>\n

Lundi 10<\/strong><\/p>\n

Le matin<\/strong><\/u><\/p>\n

Pr\u00e9sentation g\u00e9n\u00e9rale par V\u00e9ronique Lemaire (UCLouvain)<\/p>\n

\u00c9clairage historique: la place de l’image dans l’histoire de la repr\u00e9sentation th\u00e9\u00e2trale, par V\u00e9ronique Lemaire<\/p>\n

Pr\u00e9sentation de la recherche Vera Icona<\/em> par V\u00e9ronique Caye<\/p>\n

Diffusion d\u2019extraits vid\u00e9os autour de la cartographie de l\u2019utilisation de l\u2019image pour la sc\u00e8ne \u00e9tablie par V\u00e9ronique Caye dans sa recherche.<\/p>\n

L’apr\u00e8s-midi<\/strong><\/u><\/p>\n

Conception d’un cas pratique par les participants sur base de consignes donn\u00e9es par V. Caye.<\/strong><\/p>\n

Mardi 11, mercredi 12, jeudi 13, vendredi 14<\/strong><\/p>\n

Les matins<\/strong><\/u><\/p>\n

Un r\u00e9pondant, professeur, metteur en sc\u00e8ne ou sc\u00e9nographe, est invit\u00e9 chaque jour \u00e0 entrer en dialogue \u00e9troit avec V\u00e9ronique Caye pour alimenter la dynamique de r\u00e9flexion.<\/strong><\/p>\n

mardi 11 :<\/u> Philippe Sireuil, metteur en sc\u00e8ne, concepteur lumi\u00e8res, directeur du Th\u00e9\u00e2tre des Martyrs<\/p>\n

mercredi 12<\/u> : Catherine Naugrette, prof. d’Esth\u00e9tique \u00e0 L’UCLouvain et \u00e0 l’universit\u00e9 Paris 3-Sorbonne Nouvelle<\/p>\n

jeudi 13 :<\/u> Daniel Lesage, sc\u00e9nographe, professeur \u00e0 l’UCLouvain<\/p>\n

vendredi 14:<\/u> Peter Missottten, vi\u00e9aste, metteur en sc\u00e8ne et sc\u00e9nographe, professeur \u00e0 l’universit\u00e9 de Maestricht.<\/p>\n

Par ailleurs, tous les membres du GRES, th\u00e9oriciens, artistes, universitaires, sc\u00e9nographes, metteurs en sc\u00e8ne et \u00e9tudiants sont invit\u00e9s \u00e0 parler de leurs recherches personnelles en lien avec l\u2019utilisation de l\u2019image sur sc\u00e8ne.<\/p>\n

\u00c9changes et d\u00e9bats autour des th\u00e8mes abord\u00e9s.<\/p>\n

Les apr\u00e8s-midis<\/strong><\/u><\/p>\n

\u00ab\u00a0Atelier\u00a0\u00bb: conception d’une \u0153uvre sc\u00e9nique qui associe l’image<\/strong><\/p>\n

\u00c0 partir des aspects th\u00e9oriques abord\u00e9s, les participants sont invit\u00e9s (seul ou en groupe) \u00e0 concevoir la sc\u00e9nographie d\u2019une \u0153uvre sc\u00e9nique qui associe l\u2019image, selon une id\u00e9e originale personnelle, un texte litt\u00e9raire ou th\u00e9\u00e2tral de leur choix.<\/p>\n

Vendredi 14<\/strong><\/p>\n

A l’issue de l’atelier du vendredi apr\u00e8s-midi, synth\u00e8se du laboratoire et conclusion r\u00e9flexive.<\/p>\n

Public cible<\/strong> : professeurs, chercheurs et \u00e9tudiants en arts du spectacle (des universit\u00e9s et des \u00c9coles sup\u00e9rieures des Arts), sc\u00e9nographes.<\/p>\n

Ce laboratoire a re\u00e7u le soutien de l\u2019Institut de recherche INCAL \u00ab invitation de chercheurs et conf\u00e9renciers \u00e9trangers \u00bb.<\/p>\n

\n

1<\/a> La recherche iconographique <\/em>est inspir\u00e9 de l\u2019Atlas Mn\u00e9mosyne <\/em>d\u2019Aby Warburg 1929, L\u2019\u00e9carquill\u00e9 INHA 2012<\/p>\n<\/div>\n

\n

2<\/a> Le terme \u00ab\u00a0\u00e9cologie\u00a0\u00bb fait r\u00e9f\u00e9rence aux travaux de Ernst Gombrish dans son Histoire de l\u2019art (<\/em>Phaidon 2006) et dans Ce que l\u2019image nous dit<\/em> (Ernst Gombrish \u2013 Didier Eribon editions Arl\u00e9a 2009)<\/p>\n<\/div>\n

\n

3<\/a> L\u2019histoire de l\u2019art face au sympt\u00f4me<\/em>, Georges Didi Huberman, Les Grands entretien d\u2019Artpress<\/em>, Imec Editeurs 2012<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Laboratoire men\u00e9 par V\u00e9ronique Caye et V\u00e9ronique Lemaire dans le …<\/p>\n","protected":false},"author":1,"featured_media":1409,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20],"tags":[],"class_list":["post-1405","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-activite"],"acf":[],"yoast_head":"\nVera Icona - Centre d'\u00e9tudes th\u00e9\u00e2trales (CET) - UCLouvain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sites.uclouvain.be\/cet\/vera-icona\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vera Icona - Centre d'\u00e9tudes th\u00e9\u00e2trales (CET) - UCLouvain\" \/>\n<meta property=\"og:description\" content=\"Laboratoire men\u00e9 par V\u00e9ronique Caye et V\u00e9ronique Lemaire dans le …\" \/>\n<meta property=\"og:url\" content=\"https:\/\/sites.uclouvain.be\/cet\/vera-icona\/\" \/>\n<meta property=\"og:site_name\" content=\"Centre d'\u00e9tudes th\u00e9\u00e2trales (CET) - 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