Note from June 29, 2020
Although we do not yet know how long the social distancing related to the Covid-19 pandemic will last, and regardless of the changes that had to be made in the evaluation of the June 2020 session in relation to what is provided for in this learning unit description, new learnig unit evaluation methods may still be adopted by the teachers; details of these methods have been - or will be - communicated to the students by the teachers, as soon as possible.
Although we do not yet know how long the social distancing related to the Covid-19 pandemic will last, and regardless of the changes that had to be made in the evaluation of the June 2020 session in relation to what is provided for in this learning unit description, new learnig unit evaluation methods may still be adopted by the teachers; details of these methods have been - or will be - communicated to the students by the teachers, as soon as possible.
3 credits
45.0 h
Q2
Teacher(s)
Caucheteux Philippe; Houdé Joelle; Van de Kerchove Pascale; Vandenbroucke David; Wuillaume Gregoire;
Language
French
Main themes
Module 1: restoration theory
The in situ observation drawing as a tool of knowledge, analysis, expression and representation used during the project, on different scales and at each phase (observation, research, composition, restoration, communication)
Module 3: design, composition work in a simple historical heritage context
Generally, the 'heritage' project, started in the third annual block and advanced in the Master's degree, opens and develops the question of the mutual benefit of a contemporary intervention and a building of heritage importance, with regard to :
- Knowledge and understanding of the emergence of the concept of the 'historical monument' in the West
- Study of the work of key theoreticians whose work and thinking have contributed to the development of a code of conduct for restoration
- Analysis of key texts which, from the Athens Charter, have progressively encapsulated this code
The in situ observation drawing as a tool of knowledge, analysis, expression and representation used during the project, on different scales and at each phase (observation, research, composition, restoration, communication)
Module 3: design, composition work in a simple historical heritage context
Generally, the 'heritage' project, started in the third annual block and advanced in the Master's degree, opens and develops the question of the mutual benefit of a contemporary intervention and a building of heritage importance, with regard to :
- its situation in the given setting
- its internal and external spatiality, its volumetrics and its stylistic expression
- its distribution and logic relative to its initial function
- its development over time towards homogeneity or heterogeneity
- its initial structural logic and the possible weaknesses caused by modifications.
Aims
At the end of this learning unit, the student is able to : | |
1 | Specific learning outcomes: By the end of this course, students will be able to
Design a project
|
The contribution of this Teaching Unit to the development and command of the skills and learning outcomes of the programme(s) can be accessed at the end of this sheet, in the section entitled “Programmes/courses offering this Teaching Unit”.
Bibliography
BRANDI, C., Théorie de la Restauration, Paris, Monum, Editions du Patrimoine, 2001
CHOAY, Fr., L'allégorie du Patrimoine, Paris, Seuil, 1992 ' 1999
GIOVANNONI, G., L'urbanisme face aux villes anciennes, Paris, Seuil, 1998
RIEGL, A. Le Culte moderne des monuments, Paris, Seuil, 1984
CRAMER, J., BREITLING, S., Architecture in existing fabric, Basel, Birkhäuser, 2007
LAPRADE, A. Les carnets d'Architecture, Paris, Kubik, 2006
Région de Bruxelles Capitale (collectif) Restauration(s) et conservation, Région de Bruxelles-Capitale, 2011
MONUMENTAL semestriel 1, 2013, revue scientifique et technique des monuments historiques, Dossier, Création architecturale et monuments historiques, Paris, Editions du patrimoine, 2013
MONUMENTAL semestriel 1, 2012, revue scientifique et technique des monuments historiques, Dossier, Monuments historiques et création artistique, Paris, Editions du patrimoine, 2012
MONUMENTAL semestriel 1, 2011, revue scientifique et technique des monuments historiques, Dossier, L'objet Monument historique, Protection, conservation, restauration et présentation, Paris, Editions du patrimoine, 2011
PEROUSE DE MONTCLOS J.M. Principes d'analyse scientifique, Vocabulaire de l'Architecture, méthode et vocabulaire, Editions du Patrimoine, Paris, 2011
CHOAY, Fr., L'allégorie du Patrimoine, Paris, Seuil, 1992 ' 1999
GIOVANNONI, G., L'urbanisme face aux villes anciennes, Paris, Seuil, 1998
RIEGL, A. Le Culte moderne des monuments, Paris, Seuil, 1984
CRAMER, J., BREITLING, S., Architecture in existing fabric, Basel, Birkhäuser, 2007
LAPRADE, A. Les carnets d'Architecture, Paris, Kubik, 2006
Région de Bruxelles Capitale (collectif) Restauration(s) et conservation, Région de Bruxelles-Capitale, 2011
MONUMENTAL semestriel 1, 2013, revue scientifique et technique des monuments historiques, Dossier, Création architecturale et monuments historiques, Paris, Editions du patrimoine, 2013
MONUMENTAL semestriel 1, 2012, revue scientifique et technique des monuments historiques, Dossier, Monuments historiques et création artistique, Paris, Editions du patrimoine, 2012
MONUMENTAL semestriel 1, 2011, revue scientifique et technique des monuments historiques, Dossier, L'objet Monument historique, Protection, conservation, restauration et présentation, Paris, Editions du patrimoine, 2011
PEROUSE DE MONTCLOS J.M. Principes d'analyse scientifique, Vocabulaire de l'Architecture, méthode et vocabulaire, Editions du Patrimoine, Paris, 2011
Faculty or entity
LOCI