3 credits
30.0 h
Q1
Teacher(s)
Dujardin Denis;
Language
French
Main themes
Following the structure of the history of the garden, landscape and the environment, this teaching unit is designed to demonstrate our relationship to the world.
Overall, the approach is made up of 4 stages :
Overall, the approach is made up of 4 stages :
- geographical context of Eurasia at the Neolithic Revolution
- Language, Reason and Religion
- XVIIth century and dissociation of values
- XXth century and proposed reassociation of values.
Aims
At the end of this learning unit, the student is able to : | |
1 | Specific learning outcomes: By the end of the course, students will be able to show the interrelationship between the development of thinking and social organisation with development of the Landscape. In other words, to provide a basis for our relationship with the world which has come into being over the course of time. Contribution to the learning outcomes reference framework: Build knowledge of architecture
Place the action
Make use of other subjects
Express an architectural procedure
Make committed choices
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The contribution of this Teaching Unit to the development and command of the skills and learning outcomes of the programme(s) can be accessed at the end of this sheet, in the section entitled “Programmes/courses offering this Teaching Unit”.
Content
The Learning Unit aims at teaching the students how to read the polysemic nature of the fundamental notion of the landscape.
Architecture always interacts with the environment, close by or far away, and functions on different scales in a landscaped context. The entire history of landscape architecture revolves around the intrinsic and evolving relationships between buildings and their environment.
After having completed their studies, the students will have mastered basic knowledge of a large number of essential aspects of the notion "landscape": historical, technical, artistic, social and philosophical.
The historical aspect is very important, as history shows us that a society's political-social circumstance induces quite diverse interactions between building and environment.
This gives architects the possibility to put their point of view into perspective in their daily practice.
The technical aspect is not to be undervalued, as an architect needs basic knowledge of the botanical and geological aspects of plants. Rooftop gardens are of a particular interest.
The artistic aspect also plays its part, as landscape architecture can be considered as the visual stage setting of landscape interventions and is therefore closely linked with the artistic expression of the moment.
The social aspect of durability has taken up a central space on the ecological market, as well as within the conception of the "landscape".
And finally philosophical, because glancing at the landscape is glancing at infinity, an essential act and object of metaphysical contemplation.
The course takes on different subjects, using Powerpoint presentations containing a large number of images and structured texts.
Architecture always interacts with the environment, close by or far away, and functions on different scales in a landscaped context. The entire history of landscape architecture revolves around the intrinsic and evolving relationships between buildings and their environment.
After having completed their studies, the students will have mastered basic knowledge of a large number of essential aspects of the notion "landscape": historical, technical, artistic, social and philosophical.
The historical aspect is very important, as history shows us that a society's political-social circumstance induces quite diverse interactions between building and environment.
This gives architects the possibility to put their point of view into perspective in their daily practice.
The technical aspect is not to be undervalued, as an architect needs basic knowledge of the botanical and geological aspects of plants. Rooftop gardens are of a particular interest.
The artistic aspect also plays its part, as landscape architecture can be considered as the visual stage setting of landscape interventions and is therefore closely linked with the artistic expression of the moment.
The social aspect of durability has taken up a central space on the ecological market, as well as within the conception of the "landscape".
And finally philosophical, because glancing at the landscape is glancing at infinity, an essential act and object of metaphysical contemplation.
The course takes on different subjects, using Powerpoint presentations containing a large number of images and structured texts.
Teaching methods
Présentation of the lessons / discussions and questioning
Evaluation methods
Written exam
Other information
A range of slideshows is distributed amongst the students.
Bibliography
Georg Simmel (1858-1918), Philosophie du paysage (1912)
Simon Schama, Le paysage et la mémoire (1999)
Wouter Reh & Clemens Steenbergen, Architectuur en Landschap (2005)
Simon Schama, Le paysage et la mémoire (1999)
Wouter Reh & Clemens Steenbergen, Architectuur en Landschap (2005)
Faculty or entity
LOCI